List of compositions by Benjamin Britten

This list of compositions by Benjamin Britten includes all the published works by English composer Benjamin Britten with opus number.

Contents 1 By genre 1.1 Operas 1.2 Church parables 1.3 Ballets 1.4 Orchestral 1.5 Concertante 1.6 Vocal/Choral Orchestral 1.7 Vocal 1.8 Choral 1.9 Chamber/Instrumental 1.9.1 Solo piano 1.9.2 Two pianos 1.9.3 Organ 1.9.4 String quartet 1.9.5 Violin and piano 1.9.6 Viola and piano 1.9.7 Cello and piano 1.9.8 Solo cello 1.9.9 Oboe and piano 1.9.10 Oboe quartet 1.9.11 Solo oboe 1.9.12 Flute, violin and piano 4-hands 1.9.13 Solo timpani 1.9.14 Three trumpets 1.9.15 Guitar 1.9.16 Harp 1.10 Film music 2 By opus number 3 References

By genre

Operas

• 1941: Paul Bunyan, based on the American folktale
• 1945: Peter Grimes, based on George Crabbe's The Borough
• 1946: The Rape of Lucretia, after the play Le Viol de Lucrèce by André Obey
• 1947: Albert Herring, after Guy de Maupassant's story Le rosier de Mme. Husson
• 1948: adaptation of The Beggar's Opera
• 1949: Let's Make an Opera (The Little Sweep), an opera for children
• 1951: Billy Budd, after Herman Melville's novella
• 1953: Gloriana, after Lytton Strachey's Elizabeth and Essex, written for the coronation of Queen Elizabeth II
• 1954: The Turn of the Screw, based on the novella by Henry James
• 1958: Noye's Fludde, for community performance, based on a mystery play
• 1960: A Midsummer Night's Dream, after Shakespeare
• 1971: Owen Wingrave an opera for television, after the short story by Henry James
• 1973: Death in Venice, based on Thomas Mann's novella
• 1976: An unrealized Christmas opera, intended forces unknown

Church parables

• Curlew River (1964), based on a Japanese Noh play
• The Burning Fiery Furnace (1966), after the Book of Daniel, Chapter 3
• The Prodigal Son (1968), after the Gospel of Luke, Chapter 15

Ballets

• Plymouth Town (Ballet for small orchestra) (1931)
• The Prince of the Pagodas (1956)

Orchestral

• Sinfonietta, for chamber orchestra (1932)
• Simple Symphony, for string orchestra (1934)
• Soirées Musicales, after Rossini (1936)
• Variations on a Theme of Frank Bridge, for string orchestra (1937)
• Mont Juic, a suite of Catalan Dances, jointly composed with Lennox Berkeley (1937)
• Canadian Carnival (1939)
• Sinfonia da Requiem (1940)
• Matinées musicales, after Rossini (1941)
• An American Overture (1941)
• Prelude and Fugue for 18 Strings (1943)
• Four Sea Interludes and Passacaglia from Peter Grimes, for orchestra (1945)
• The Young Person's Guide to the Orchestra (1946)
• Occasional Overture (1946)
• Men of Goodwill - Variations on a Christmas carol (1947)
• Variations on an Elizabethan Theme, jointly composed with Lennox Berkeley, Arthur Oldham, Humphrey Searle, Michael Tippett and William Walton (1953)
• Symphonic Suite from Gloriana (1954)
• Suite on English Folk Tunes, A Time There Was..., for chamber orchestra (1966/1974)

Concertante

• Double Concerto for Violin, Viola and Orchestra (1932, incpt, realised by Colin Matthews)
• Piano Concerto (1938, rev. 1945)
• Violin Concerto (1939, rev. 1958)
• Young Apollo, for piano, string quartet and string orchestra (1939)
• Diversions for Piano (left hand) and Orchestra (1940 rev. 1954)
• Scottish Ballad, for two pianos and orchestra (1941)
• Clarinet Concerto (incomplete: 1st movement only, 1942/3, orch. by Colin Matthews)
• Cello Symphony (1963)

Vocal/Choral Orchestral

• Quatre Chansons Françaises, for soprano and orchestra (1928)
• Our Hunting Fathers, for soprano or tenor and orchestra (words W. H. Auden) (1936)
• The Company of Heaven, for speakers, soloists, chorus and orchestra (1937, not performed again until 1989)
• Les Illuminations, for soprano or tenor and strings (words Arthur Rimbaud) (1939)
• Serenade for Tenor, Horn and Strings (1943)
• Saint Nicolas, for tenor soloist, children's chorus, chorus, and orchestra (1948)
• Spring Symphony, for soprano, contralto, and tenor soloists, mixed chorus, boys' choir and orchestra (1949)
• Nocturne, for tenor, 7 obbligato instruments & strings (1958)
• Cantata Academica for soloists, chorus and orchestra(1960)
• War Requiem (1961) for soprano, tenor and baritone soloists, chamber ensemble, boys' chorus, mixed chorus, and orchestra
• Cantata misericordium for tenor and baritone soloists, small chorus, string quartet, string orchestra, piano, harp, timpani (1963)
• Phaedra for mezzo-soprano, cello, harpsichord, percussion, and string orchestra (Robert Lowell after Jean Racine's Phèdre, 1975)
• Praise we great men, for soloists, chorus and orchestra (Edith Sitwell) (1976, completed by Colin Matthews 1985)
• Sea Symphony, for soloists, chorus and orchestra (unrealized, 1976)

Vocal

• On this Island for high voice and piano (1937)
• Seven Sonnets of Michelangelo for tenor and piano (1940)
• The Holy Sonnets of John Donne for tenor and piano (1945)
• Canticle I: My beloved is mine for tenor and piano (1947) (Five Canticles)
• A Charm of Lullabies for mezzo-soprano and piano (1947)
• Canticle II: Abraham and Isaac for alto (or countertenor), tenor, and piano (1952) (Five Canticles)
• Canticle III: Still falls the rain for tenor, horn and piano (words Edith Sitwell) (1954) (Five Canticles)
• Winter Words for tenor and piano, poetry by Thomas Hardy (1954)
• The Heart of the Matter for narrator, tenor, horn, and piano (1956)
• Sechs Hölderlin-Fragmente for tenor and piano (1958)
• Songs and Proverbs of William Blake for baritone and piano (1965)
• The Poet's Echo for soprano and piano (1965)
• Canticle IV: Journey of the Magi for countertenor, tenor, baritone, and piano (1971) (Five Canticles)
• Canticle V: The Death of Saint Narcissus for tenor and harp (1974) (Five Canticles)
• A Birthday Hansel for high voice and harp (1975)
• Eight books of Folksong Arrangements from the British Isles and France, for voice and piano, guitar and harp
• Many realizations of songs by Henry Purcell

Choral

• Hymn to the Virgin for chorus and soli (1930?)
• A Boy Was Born for treble voices and choir (1933/55)
• Jubilate Deo in E flat for chorus and organ (1934); published posthumously
• Te Deum in C for chorus, trumpet, and organ (1934)
• Friday Afternoons for children's voices and piano (1935)
• Advance Democracy for unaccompanied choir (1938)
• A.M.D.G. (Ad Majorem Dei Gloriam), seven settings of Gerard Manley Hopkins for unaccompanied SATB (1939)
• A Ceremony of Carols for treble voices and harp (1942); an alternative arrangement for mixed voices and harp (or piano) is popular as well
• Hymn to St. Cecilia for unaccompanied choir; poem by W. H. Auden (1942)
• Rejoice in the Lamb for 4 soloists, choir, and organ; text by Christopher Smart (1943)
• Festival Te Deum in E for chorus and organ (1944)
• A Wedding anthem 'Amo Ergo Sum\ for soprano, tenor chorus and organ (1949)
• Five Flower Songs for SATB (1950)
• Hymn to St. Peter for treble soloist, SATB and organ (1955)
• Antiphon for SATB and organ, (1955)
• Missa Brevis for boys' voices and organ (1959)
• Jubilate Deo in C for chorus and organ (1961)
• A Hymn of St Columba for chorus and organ (1962)
• The Golden Vanity for 5 boy soloists, treble choir and piano (1966)
• The Building of the House for chorus or organ or brass and orchestra (1967)
• Sacred and Profane (8 medieval lyrics) for SSATB (1974-5)

Chamber/Instrumental

Solo piano

• Five Waltzes, for piano (1925, rev. 1969)
• Three Character Pieces, for piano(1930)
• Twelve variations on a theme, for piano(1930)
• Holiday Diary, for piano (1934)
• Sonatina romantica, for piano (1940)
• Night-Piece(Notturno) for piano, written for Leeds International Pianoforte Competition (1963)

Two pianos

• Introduction and Rondo alla burlesca, for 2 pianos (1940)
• Mazurka elegiaca, for 2 pianos (1941)

Organ

• Prelude and Fugue on a theme of Vittoria, for organ (1946)

String quartet

• String Quartet in F major (1928)
• String Quartet in D major (1931, rev. 1974)
• Three Divertimenti, for string quartet (1933, rev. 1936): March, Waltz, Burlesque
• String Quartet No. 1 in D major (1941)
• String Quartet No. 2 in C major (1945)
• String Quartet No. 3 in G major (1975)

Violin and piano

• Suite for Violin and Piano (1935)

Viola and piano

• Lachrymae, Reflections on a song of Dowland for viola and piano (1950) after If My Complaints Could Passions Move by John Dowland, for William Primrose
  • arranged for viola and string orchestra (1976) for Cecil Aronowitz

Cello and piano

• Cello Sonata in C Major (1960)

Solo cello

• Cello Suite No. 1 (1964)
• Cello Suite No. 2 (1967)
• Cello Suite No. 3 (1972)
• Tema "Sacher" for cello solo (1976)

Oboe and piano

• Two Insect Pieces, for oboe and piano (1935)
• Temporal Variations, for oboe and piano (1936)

Oboe quartet

• Phantasy, for oboe quartet (1932)

Solo oboe

• Six Metamorphoses after Ovid for solo oboe (1951), with quotations from Ovid's Metamorphoses poem.

Flute, violin and piano 4-hands

• Gemini Variations, for flute, violin and piano four hands (1965)

Solo timpani

• Timpani Piece for Jimmy, timpani solo (1955) for James Blades

Three trumpets

• Fanfare for St Edmundsbury (1959) short antiphonal and polytonal piece for three trumpets

Guitar

• Nocturnal after John Dowland for guitar (1963)

Harp

• Suite for Solo Harp (1969)

Film music

• Night Mail (1936), with words by W. H. Auden

By opus number

• Op. 1, Sinfonietta, 1932
• Op. 2, Phantasy, oboe quartet, 1932
• Op. 3, A Boy was Born for mixed chorus with organ ad lib, 1933, revised 1955
• Op. 4, Simple Symphony for strings, 1934 (+ also version for string quartet)
• Op. 5, Holiday Diary for piano, 1934
• Op. 6, Suite for violin and piano, 1935
• Op. 7, Friday Afternoons for children's voices and piano, 1935
• Op. 8, Our Hunting Fathers for soprano or tenor and orchestra (words W. H. Auden), 1936
• Op. 9, Soirées musicales for orchestra (after Rossini), 1936
• Op. 10, Variations on a Theme of Frank Bridge for string orchestra, 1937
• Op. 11, On this Island for soprano or tenor and piano (words W. H. Auden), 1937
• Op. 12, Mont Juic (after Catalan dances, with Lennox Berkeley), 1937
• Op. 13, Piano Concerto, 1938, revised 1945
• Op. 14, Ballad of Heroes for tenor or soprano, chorus and orchestra (words W. H. Auden and Randall Swingler), 1939
• Op. 15, Violin Concerto, 1939, revised 1958
• Op. 16, Young Apollo for piano and strings, 1939 (withdrawn)
• Op. 17, Paul Bunyan, opera (libretto W. H. Auden), 1941, revised 1976
• Op. 18, Les Illuminations, for soprano or tenor and strings (words Arthur Rimbaud), 1939
• Op. 19, Canadian Carnival overture, 1939
• Op. 20, Sinfonia da Requiem, 1940
• Op. 21, Diversions for piano (left hand) and orchestra, 1940, revised 1954
• Op. 22, Seven Sonnets of Michelangelo for tenor and piano, 1940
• Op. 23
  • No. 1, Introduction and Rondo alla burlesca for two pianos, 1940
  • No. 2, Mazurka elegaica for two pianos, 1941
• Op. 24, Matinées musicales for orchestra (after Rossini), 1941
• Op. 25, String Quartet No. 1, 1941
• Op. 26, Scottish Ballad for two pianos and orchestra, 1941
• Op. 27, An American Overture, 1941 [first performance 1983]
• Op. 27, Hymn to St. Cecilia for SSATB, 1942
• Op. 28, A Ceremony of Carols for trebles and harp, 1942
• Op. 29, Prelude and Fugue for 18 strings, 1943
• Op. 30, Rejoice in the Lamb for soloists, chorus and organ, 1943
• Op. 31, Serenade for Tenor, Horn and Strings, song cycle, 1943
• Op. 32, Festival Te Deum for chorus and organ, 1945
• Op. 33, Peter Grimes, opera (libretto Montagu Slater after George Crabbe), 1945
  • Op. 33a, Four Sea Interludes from Peter Grimes
  • Op. 33b, Passacaglia from Peter Grimes
• Op. 34, Variations and Fugue on a Theme of Henry Purcell (The Young Person's Guide to the Orchestra), 1946
• Op. 35, The Holy Sonnets of John Donne for soprano or tenor and piano, 1945
• Op. 36, String Quartet No. 2, 1945
• Op. 37, The Rape of Lucretia, opera (libretto Ronald Duncan after André Obey), 1946 revised 1947
• Op. 38, Occasional Overture, 1946
• Op. 39, Albert Herring, opera (libretto Eric Crozier after Guy de Maupassant), 1947
• Op. 40, My beloved is mine (Canticle I) for soprano or tenor and piano (words Francis Quarles), 1947
• Op. 41, A Charm of Lullabies for mezzo soprano and piano, 1947
• Op. 42, Saint Nicolas for soloists, chorus, strings, piano (4 hands), percussion and organ, 1948
• Op. 43, The Beggar's Opera after John Gay, 1948
• Op. 44, Spring Symphony for soloists, mixed choir, children's choir and orchestra, 1949
• Op. 45, The Little Sweep, opera (libretto Eric Crozier), 1949
• Op. 46, A Wedding anthem Amo Ergo Sum for soprano, tenor chorus and organ (words Ronald Duncan), 1949
• Op. 47, Five Flower Songs for SATB, 1950
• Op. 48, Lachrymae for viola and piano, 1950
  • Op. 48a, Lachrymae for viola and strings, 1976
• Op. 49, Six Metamorphoses after Ovid for oboe, 1951
• Op. 50, Billy Budd, opera (libretto E. M. Forster and Eric Crozier after Hermann Melville), 1951, revised 1960
• Op. 51, Abraham and Isaac (Canticle II) for alto, tenor and piano (Chester miracle play), 1952
• Op. 52, Winter Words for soprano or tenor and piano (words Thomas Hardy), 1953
• Op. 53, Gloriana, opera (libretto William Plomer after Lytton Strachey), 1953
  • Op. 53a, Symphonic Suite "Gloriana" for tenor or oboe and orchestra, 1954
• Op. 54, The Turn of the Screw, opera (libretto Myfanwy Piper after Henry James), 1954
• Op. 55, Still Falls the Rain (Canticle III) for tenor, horn and piano (words Edith Sitwell), 1954
• Op. 56a, Hymn to St. Peter for treble, SATB and organ, 1955
• Op. 56b, Antiphon for SATB and organ, 1955
• Op. 57, The Prince of the Pagodas, ballet, 1956
  • Op. 57a, Pas de six from The Prince of the Pagodas
• Op. 58, Songs from the Chinese for soprano or tenor and guitar, 1957
• Op. 59, Noye's Fludde, opera (Chester mystery play), 1957
• Op. 60, Nocturne for tenor, 7 obbligato instruments and string orchestra, song cycle, 1958
• Op. 61, Sechs Hölderlin-Fragmente, 1958
• Op. 62, Cantata academica, 1959
• Op. 63, Missa brevis for boys' voices and organ, 1959
• Op. 64, A Midsummer Night's Dream, opera (libretto Benjamin Britten and Peter Pears after William Shakespeare), 1960
• Op. 65, Sonata for cello and piano, 1961
• Op. 66, War Requiem, 1961
• Op. 67, Psalm CL for children's chorus and instruments, 1962
• Op. 68, Cello Symphony, 1963
• Op. 69, Cantata misericordium, 1963
• Op. 70, Nocturnal after John Dowland for guitar, 1963
• Op. 71, Curlew River, church parable (libretto William Plomer after Noh), 1964
• Op. 72, Cello Suite No. 1, 1964
• Op. 73, Gemini Variations for flute, violin and piano four hands, 1965
• Op. 74, Songs and Proverbs of William Blake for baritone and piano, 1965
• Op. 75, Voices for Today for boys' voices, chorus and organ ad lib, 1965
• Op. 76, The Poet's Echo for soprano or tenor and piano (words Aleksandr Pushkin), 1965
• Op. 77, The Burning Fiery Furnace, church parable (libretto William Plomer after The Book of Daniel), 1966
• Op. 78, The Golden Vanity for boys' voices and piano (words Colin Graham), 1966
• Op. 79, The Building of the House overture, for chorus or organ or brass and orchestra, 1967
• Op. 80, Cello Suite No. 2, 1967
• Op. 81, The Prodigal Son, church parable (libretto William Plomer), 1968
• Op. 82, Children's Crusade (words Bertold Brecht/Hans Keller), 1968
• Op. 83, Suite for Harp, 1969
• Op. 84, Who are these Children? for tenor and piano (words William Soutar), 1969
• Op. 85, Owen Wingrave, opera (libretto Myfanwy Piper based on Henry James), 1970
• Op. 86, The Journey of the Magi (Canticle IV) for countertenor, tenor, baritone and piano (words T. S. Eliot), 1971
• Op. 87, Cello Suite No. 3, 1972
• Op. 88, Death in Venice, opera (libretto Myfanwy Piper based on Thomas Mann), 1973
• Op. 89, The Death of Narcissus (Canticle V) for tenor and harp (words T. S. Eliot), 1974
• Op. 90, A Suite on English Folk Tunes "A Time There Was" for chamber orchestra, 1974
• Op. 91, Sacred and Profane (8 medieval lyrics) for five voices (SSATB), 1975
• Op. 92, A Birthday Hansel for high voice and harp (words Robert Burns), 1975
• Op. 93, Phaedra, cantata (words Robert Lowell after Jean Racine), 1975
• Op. 94, String Quartet No. 3, 1975
• Op. 95, Welcome Ode for young people's voices and orchestra, 1976
• Op. 96, Praise we great men for soloists, chorus and orchestra (words Edith Sitwell), 1976 (Unfinished)

References

• Diane McVeagh (ed.) (1986). English Masters (New Grove Composer Biography). Grove Publications. ISBN 0-333-40241-3.